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Duy plugins for windows free download free.DUY plug-ins available in VST for Windows
Joined: Jul 17, Messages: 35 Likes Received: It is not matter cracked or not! Mac only. AudioMixing22 , Jul 4, at PM. You must log in or sign up to reply here. Show Ignored Content. Your name or email address: Do you already have an account?
No, create an account now. Yes, my password is: Forgot your password? Peavey revalver 4 Big Sur crash hexwars. Max DUY can also be used as a limiter. DUY Wide: Spatial stereo enhancer. Features frequencial compensation and includes a high resolution phase meter.
Everpack v 1. Buy Everpack near Helsinki, Finland at: Verkkokauppa. Be the first to post a comment. Other Software by DUY 9. Deep Analog EQ. Creating Sounds and FX. It consists of 40 separate modules that can be linked by the user in countless DUY SIlence. Noise reduction. DUY Silence is a noise reduction plug-in.
With DUY Silence you’ll be able to collect information about your noise using an analysis method, by capturing the Global Bundle. DaD Tape simulates the sound of analog tapes for digital Magic Spectrum. It’s usually best to process just elements of the mix rather than the whole thing — then you can use more intense processing on reverb, delay and sound effects, for example.
It’s not an EQ, it’s not a compressor and it’s not an enhancer, yet it combines elements of all three and more. Again operable in mono or stereo, DUY Shape splits the audio spectrum into three bands, which the user can vary via two adjustable crossover frequency sliders. Representing each band is a graph showing input against output, rather like a compressor, and these are the Shapers.
The default condition is a diagonal line on each graph, depicting that the input and output are linearly related. Grabbing the top point of the line and pulling it down reduces the level in that frequency band, but that’s all, hence the ability to equalise. It’s also possible to define different curves according to cosine or six logarithmic rules, and these all produce subjectively different results.
The outputs from all three bands are summed in a mixer; repeated clicking on the mixer icon lets you solo any band or hear the the full mix. Similarly, you can expand the waveforms to make the peaks higher still, but this isn’t the same thing as conventional expansion. There’s no explanation given of what to expect from the different curve types, so you really have to ‘suck it and see’.
Even so, the results can be intriguing. You could shape only the top band to emulate a traditional enhancer, shape just the bottom band to get a nice analogue saturation effect, or shape everything, and alter the relative levels of the three bands, to totally change the sound of a mix or instrument. If anything, I feel the designers have tried to make the user interface too graphically interesting, and the time might have been better spent on making the products more intuitive to use, but it really doesn’t take long to get familiar with them.
I feel Waves have done a far better job on the interface front, but there’s no denying that DUY have added some features and processes that are quite unlike anything anybody else is doing. The Shape and Valve processors are my two favourites, but all do what they claim, and with very high audio resolution. We wondered if they were related, and made enquiries. It turns out that they are — though we’re told that the software department has no connection with Michel Huygen.
Free Reverb Plugin | VST Warehouse.DUY effect plug-ins now available in VST for Windows format
The user can select the required tape characteristics via buttons, but otherwise has control only over input and output level stereo metering is provided. Just as with tape, the effect is only obvious at high signal levels, but sonically DaD Tape seems very authentic — although, just like real tape, the effects are more subtle than you might expect.
Having the different simulations helps match the treatment to the sound being processed, but I feel the control system could be better. DUY Wide. In addition to the input gain slider, there’s a Max slider to set the threshold above which processing takes place. The manual states that if the input signal comes close to 0dB, the Max slider range is limited to around 6dB, and above this point unwanted artifacts may appear.
An output slider sets the maximum peak value of the processed signal and meters show the levels of the input and output signals simultaneously. DUY Max may be used in mono or stereo. DUY Shape. In addition to a stereo enhancement amount slider, there’s an input gain slider and a variable frequency boost equaliser to help compensate for any spectral change that might result from the processing.
Switching in Boost increased the overall level, but neither the Frequency or Boost control had any effect. Phase meters show how much processing is taking place, and they also provide an indication of how the process might affect mono compatibility.
Stereo level meters continuously monitor the processed output. How effective the process is depends on the material being treated, and in my experience that applies to all the competing products too. Any tonal change should be small enough to compensate for by using the Boost control.
The effect isn’t always as dramatic as you might wish, and I’ve found much the same with the competing systems — a lot depends on the characteristics of the source material. It’s usually best to process just elements of the mix rather than the whole thing — then you can use more intense processing on reverb, delay and sound effects, for example.
It’s not an EQ, it’s not a compressor and it’s not an enhancer, yet it combines elements of all three and more. Again operable in mono or stereo, DUY Shape splits the audio spectrum into three bands, which the user can vary via two adjustable crossover frequency sliders. Representing each band is a graph showing input against output, rather like a compressor, and these are the Shapers. The default condition is a diagonal line on each graph, depicting that the input and output are linearly related.
Grabbing the top point of the line and pulling it down reduces the level in that frequency band, but that’s all, hence the ability to equalise. It’s also possible to define different curves according to cosine or six logarithmic rules, and these all produce subjectively different results.
The outputs from all three bands are summed in a mixer; repeated clicking on the mixer icon lets you solo any band or hear the the full mix. Similarly, you can expand the waveforms to make the peaks higher still, but this isn’t the same thing as conventional expansion. There’s no explanation given of what to expect from the different curve types, so you really have to ‘suck it and see’. Joined: Jun 21, Messages: 1, Likes Received: You’re not missing much.
Out of the bunch, I’d say the only one that was really worth owning was Z-Room the reverb plug. The others were actually pretty lame. Console yourself with the fact that there’s about a billion great plugs for Windoze, legit and otherwise, that Macs can’t run. Useful x 1 List. Iggy , Dec 3, Joined: Dec 6, Messages: Likes Received: Joined: Jul 17, Messages: 35 Likes Received: It is not matter cracked or not! Mac only. AudioMixing22 , Jul 4, at PM.
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